Gamal plays Emmitt Weatherman/Crawfish/Ensemble in the world premiere production of americUS, written and performed by Universes performance ensemble.
Gamal plays Emmitt Weatherman/Crawfish/Ensemble in the world premiere production of americUS, written and performed by Universes performance ensemble.
The writer shares important context for Actually, a new play about gender, race and consent on a college campus.
Inspired by americUS? Learn more about arts organizations in Cincinnati with similar art forms and missions.
Director Bridget Leak sheds light on her artistic perspective of Anna Ziegler’s new play, Actually.
Actually is a thought-provoking new play that grapples with the deep complexities of gender, race and consent.
Take a closer look at Universes, the theatre company that's using poetry, music and dance to bring their world premiere americUS to life on the Rosenthal Shelterhouse stage.
Universes performance ensemble fuses theatre, poetry, dance and music to create a compelling theatrical collage of contemporary America that will challenge, move and entertain you.
Stay engaged with the entertaining musical comedy by learning piano basics, attending local events and venues, and checking out musical apps.
Ted Dykstra and Richard Greenblatt reflect on the success of 2 Pianos, 4 Hands and what has made it connect to over two million audience members worldwide.
Here are the true facts about the chilling double-homicide depicted in the Playhouse’s stage adaptation of Margaret Atwood's Alias Grace.
Director/Music Director Tom Frey tells us about bringing together piano wizardry and laugh-out-loud comedy in 2 Pianos, 4 Hands.
Stay engaged with the story by checking our recommendations of books, podcasts, television shows and films.
Annie plays Mrs. Lavell in Jennifer Blackmer's adaptation of Margaret Atwood's Alias Grace.
Ward plays Jeremiah/Dr. Jerome Dupont in Jennifer Blackmer’s adaptation of Margaret Atwood’s Alias Grace.
Movement and Intimacy Coach Casey Sams gives us an inside look at the growing field of intimacy choreography in theatre, film and television.
In 2 Pianos, 4 Hands, piano wizardry and laugh-out-loud comedy come together to tell the story of Richard and Ted’s life-long pursuit of becoming concert pianist superstars.
Caroline Hewitt tells us more about bringing Margaret Atwood's mysterious heroine Grace Marks to life in the theatrical rendering of Alias Grace.
Margaret Atwood is one of the most prolific storytellers of our time. In her 1996 novel Alias Grace, Atwood revisits one of the most notorious true crimes in Canadian history.
Blackmer reveals her artistic perspective on adapting Margaret Atwood's spine-tingling, best-selling novel Alias Grace.
From dramas to comedies to musicals, the American theatre has benefited greatly from the vision and craftsmanship now synonymous with the Playhouse.
Director Blake Robison shares his perspective on Margaret Atwood’s mind-bending thriller Alias Grace.
Over the summer, the Playhouse underwent renovations to the newly renamed Rosenthal Shelterhouse Theatre. Capital Projects Manager Phil Rundle offers historical information, project details and additional insight on the remodel.
Based on the novel by master storyteller Margaret Atwood, the spine-tingling mystery of Alias Grace will chill you to the bone.
For each Playhouse production, a team of nationally recognized designers partners with our resident crew at the Gilbert Avenue Scene Shop to bring to life the world of the story as envisioned by the director.
You don’t need to hop a Megabus to New York to experience some of the very best of American theatre. The two-time Tony Award-winning Cincinnati Playhouse in the Park invites college students to check out top-notch theatre at seriously affordable prices.
In 1963, suburban housewives rushed out of their homes to purchase what would quickly become one of the most subversive books of the decade: "The Feminine Mystique," written by feminist author and activist Betty Friedan.
It’s likely no surprise that theatre fans are often avid readers. A good story is a good story, after all. This year some of the best stories in the Playhouse season — from A PRAYER FOR OWEN MEANY and JANE EYRE to ERMA BOMBECK: AT WIT'S END — were all inspired by great books.
Linda Lombardi, Arena Stage production dramaturg, interviews DISGRACED playwright Ayad Akhtar about the cultural and personal significance of his Pulitzer Prize-winning play.
Audiences across the country have reacted strongly and emotionally to Ayad Akhtar’s Pulitzer Prize winner DISGRACED. Artistic Director Blake Robison chose to include the show in the Playhouse’s 2016-17 season because of the important conversation it inspires.
Playwright Ayad Akhtar has known he wanted to be a writer for years, but it took him time to find his voice. Once he did, he’s been prolific, winning significant acclaim and the 2013 Pulitzer Prize for DISGRACED, which opens the Playhouse’s 2016-17 Thompson Shelterhouse season.
DISGRACED director Lisa Portes reveals what excites her about this story.
Amin El Gamal makes his Playhouse debut as Abe in the timely Pulitzer Prize-winning play DISGRACED. Meet Amin, and find out what he enjoys most about being an actor, his all-time favorite roles and what excites him about working on DISGRACED.
Actor Maury Ginsberg makes his Playhouse debut this season as Isaac in DISGRACED. Learn about his favorite roles, how he started acting and what he loves most about being on stage.
Discussions of art inform and illuminate the rich tapestry of Ayad Ahktar’s Pulitzer Prize-winning drama DISGRACED, which continues through Oct. 23 in the Cincinnati Playhouse in the Park’s Thompson Shelterhouse Theatre.
Meet Krystel Lucas, who makes her Cincinnati Playhouse in the Park debut as Jory in the Shelterhouse season opener Disgraced. Find out why she became an actor, what role she’s been dying to play and what she enjoys most about working on DISGRACED.
The cast of The Second City's HOLIDAZED & CONFUSED REVUE are masters of sketch comedy and improvisational performance. We asked them a few questions to find out about their favorite games and craziest improv memories.
Director Andel Sudik took a moment during the rehearsal process to discuss The Second City’s HOLIDAZED & CONFUSED REVUE.
This summer, playwright Arlitia Jones visited the Playhouse with Associate Artist Michael Evan Haney for a weeklong workshop of her play SUMMERLAND, which will have its world premiere in the Thompson Shelterhouse in February 2017.
In April 1869, when William H. Mumler entered a New York City courtroom charged with two counts of felony fraud for asserting that he could provide his clients with images of their ghostly loved ones — a story that takes center stage in Arlitia Jones’ world premiere play SUMMERLAND — it wasn’t just his controversial spirit photography business at stake.
Whitney Maris Brown makes her Playhouse debut this season as Mrs. Mumler in SUMMERLAND. She has traveled all across America throughout her regional career, and with SUMMERLAND she's able to check Cincinnati off her list.
Michael Rothhaar returns to the Playhouse, where he most recently appeared in the 2006 production of WITNESS FOR THE PROSECUTION. He now takes the stage as William H. Mumler in the world premiere production of SUMMERLAND.
Billy Finn, who appeared in last season's MAD RIVER RISING, returns to Cincinnati to portray Joseph Tooker in the world premiere production of Arlitia Jones' SUMMERLAND.
In the mid-19th century, spirit photographer William H. Mumler was the subject of widespread national and even international attention, pitting believers against skeptics in judging whether Mumler’s haunting images were the stuff of miracle or deception.
In today’s world of digital photography, we’ve become so accustomed to modifications that we’re often more surprised to see unaltered images. With this cynical perspective, it can be difficult to imagine the world illuminated in Arlitia Jones’ world premiere SUMMERLAND and the fierce debate William H. Mumler’s spirit
ALL THE ROADS HOME playwright Jen Silverman took time before the show went into rehearsal to talk about her inspiration for the story, the script’s unique structure and when she knew she’d be a writer.
Meet Libby Winters, who makes her Cincinnati Playhouse in the Park debut in the world premiere production of Jen Silverman's ALL THE ROADS HOME.
Meet Tina Chilip, who makes her debut at the Cincinnati Playhouse in the Park in Jen Silverman's ALL THE ROADS HOME.
Through Madeleine, Max and Nix, Silverman takes the audience from the 1950s, 1970s and into today. Each of the characters offers a glimpse into how the culture of each time period led them to the life choices they made and, ultimately, their destinies.
Meet Tramell Tillman, who makes his Cincinnati Playhouse in the Park debut in the world premiere of ALL THE ROADS HOME.
Meet Rebecca S’manga Frank, who makes her Cincinnati Playhouse in the Park debut in the world premiere of Jen Silverman's ALL THE ROADS HOME.
Did you leave ERMA BOMBECK: AT WIT'S END laughing, reminiscing on your own household comedy hours or feeling an urge to fight for the Equal Rights Amendment? We’ve compiled a list of books in case you’re still wanting more daily life amusement, or if you’re curious about the feminist movement of the 1960s and ‘70s.
“Mommy bloggers,” as they call themselves, make up an online community that sheds light on the world of parenting and motherhood. While some of these blogs focus on new and different ways to care for one’s family, others poke fun at their own misadventures using humor and sarcasm—much like Bombeck did with her columns.
Barbara Chisholm, who plays Erma Bombeck in Cincinnati Playhouse in the Park’s ERMA BOMBECK: AT WIT'S END sheds light into her character development of this trailblazing woman.