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CONTINUE READING>Up next in the Shelterhouse: VIETGONE. An all-American love story about two very new Americans.
CONTINUE READING>STEW by Zora Howard is an intimate story about mothers, daughters and the ties that bind.
CONTINUE READING>Bringing the undead to life in a world premiere adaptation.
CONTINUE READING>Lynn Nottage’s Clyde’s intimately, humorously and potently examines the lives of the formerly incarcerated attempting to begin anew.
CONTINUE READING>The Breath Project is hosting a free virtual festival, which will feature 24 world premiere works created by multidisciplinary theatre artists of color.
CONTINUE READING>The writer shares artistic insight into crafting this enormously entertaining stage comedy.
CONTINUE READING>The writer shares important context for Actually, a new play about gender, race and consent on a college campus.
CONTINUE READING>Caribbean-born writer Rosa Guy is best known for her young adult novels and the story that inspired Lynn Ahrens and Stephen Flaherty to create Once on This Island.
CONTINUE READING>Blackmer reveals her artistic perspective on adapting Margaret Atwood's spine-tingling, best-selling novel Alias Grace.
CONTINUE READING>In The Thanksgiving Play, a group of liberal artists attempt to devise a politically correct Thanksgiving play for elementary schools.
CONTINUE READING>Audrey Cefaly shares her notes about writing original song lyrics for the world premiere of The Last Wide Open.
CONTINUE READING>The legacy of Lin-Manuel Miranda's In the Heights, which features a vibrant community of Latin characters, reflects the changing landscape of American theatre.
CONTINUE READING>It’s likely no surprise that theatre fans are often avid readers. A good story is a good story, after all. This year some of the best stories in the Playhouse season — from A PRAYER FOR OWEN MEANY and JANE EYRE to ERMA BOMBECK: AT WIT'S END — were all inspired by great books.
CONTINUE READING>Linda Lombardi, Arena Stage production dramaturg, interviews DISGRACED playwright Ayad Akhtar about the cultural and personal significance of his Pulitzer Prize-winning play.
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