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By the end of the 1800s, about a quarter of all cowboys and farmhands were Black and an even larger percentage were of Mexican descent. Although the contributions of these cowboys of color are not widely known, some of them have become legends in their own right.
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Margaret, the main character in Nathan Alan Davis’ Origin Story, works at the Services Corporation by day, where she provides services. She’s an ethnically ambiguous woman stuck between two artificial, corporate worlds, struggling to find her place. What perfect fodder for a comedy!
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How has the relationship between the U.S. and its Asian American and Pacific Islander (AAPI) citizens changed? One way to dive deeper into these parallels is to look at the historical and ongoing perception of the AAPI community in the United States.
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Lyrical language, earnest characters and a skillful infusion of the blues reveal the true wonder of Seven Guitars.
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Director Jess McLeod delivers artistic insight about Afong Moy and the timely significance of The Chinese Lady by Lloyd Suh.
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Striking a rare balance between poetic darkness and humorous moments of whimsy, The Chinese Lady blends historical accounts with a deep exploration of character and culture.
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Director Blake Robison and Choreographer Alex Sanchez give us closer looks at bringing to life A Chorus Line, presented by The Singular Sensations.
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A Chorus Line, presented by The Singular Sensations, positively bursts with artistic energy as a love letter to theatre itself. As the first show staged in Moe and Jack’s Place – The Rouse Theatre, this Tony Award- and Pulitzer Prize-winning show ushers our community into a new theatrical era.
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Welcome to the all-new Mainstage Theatre Complex, featuring Moe and Jack’s Place – The Rouse Theatre! Behind the scenes, our artists and production teams will enjoy new and upgraded spaces as well as enhanced theatre technology. For patrons and community members, the new facility improves your experience from top to bottom — here’s how.
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Introducing the Arts and Culture Incubator! Beginning this spring, we’ll share our new Mainstage Theatre complex with organizations and artists that serve our region through artistic and cultural work. Learn more about how we’ll collaborate in our spaces and meet our inaugural program partners.
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In September, American Theatre released their top-10 and top-20 lists for the 2022-23 season. Playhouse audiences will recognize many of these production titles and names, emphasizing our commitment to bringing the best of American theatre to Cincinnati audiences.
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Max Alexander-Taylor tells us about bringing his performance in The Lion, a one-man show, to Cincinnati at Warsaw Federal Incline Theater.
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A charming and poetic adaptation of The Little Prince opens the 2022-23 Off the Hill season.
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After performing in London last summer, The Lion arrives in Cincinnati for an exclusive Playhouse engagement at Warsaw Federal Incline Theater in Price Hill.
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Playwright and performer Vanessa Severo gives us a closer look into her play Frida…A Self Portrait, which is directed by Playhouse Associate Artistic Director Joanie Schultz.
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Vanessa Severo, playwright and star of the Playhouse’s production of Frida…A Self Portrait, found her own entry into Kahlo’s life.
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Risa Brainin reveals behind-the-scenes peeks at directing Agatha Christie’s Murder on the Orient Express.
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Audiences for the Playhouse’s Murder on the Orient Express will have no trouble understanding why this fastidious detective continues to captivate Christie’s readers.
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Jocelyn Bioh's acclaimed comedy School Girls; Or, The African Mean Girls Play is a coming-of-age story spotlighting sisterhood with thought-provoking bite.
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In Becoming Dr. Ruth, an illuminating one-woman show presented by The Jewish Foundation of Cincinnati, Dr. Ruth narrates the harrowing details of her life, one riveting chapter at a time.
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Robert Harling’s beloved 1987 dramedy Steel Magnolias, a tale born from memories of the strong women in his family and extended support system, elevates the bonds of sisterhood with great humor and heart.
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Rooted marks the third world premiere of the Playhouse’s 2021-22 season, and it’s one of the theatre’s recent new play commissions .
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Katie Forgette’s charmingly nostalgic comedy Incident at Our Lady of Perpetual Help conjures a simpler time of a family just trying to make it through 1973.
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To celebrate the rich history of A Christmas Carol in the Marx Theatre, let’s take a look back at three decades of theatrical holiday cheer!
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Read how performer Antonio Michael Woodard found the spirit and soul of R&B's unsung hero.
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Gamal is a poet, playwright and composer who appeared in the world premiere of americUS at the Playhouse.
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Barbara Chisholm played Annie Wilkes in Misery and Erma Bombeck in Erma Bombeck: At Wit’s End.
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Yassmin played Abuela Claudia in In the Heights, and most recently appeared as Hortencia Del Rio in Destiny of Desire.
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Debra played Charlaine in Ain’t Misbehavin’, Tina Turner in Beehive and as all the characters in the one-woman show, Mr. Joy.
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Nick played Linus in and is the co-conceiver and dance captain of You’re a Good Man, Charlie Brown. He also starred as Seymour in Little Shop of Horrors.
Annie has appeared in Alias Grace, A Prayer for Owen Meany, To Kill a Mockingbird, Pride and Prejudice; Hank Williams: Lost Highway and six seasons of A Christmas Carol.
Stephanie played Vanessa in our 2019 production of In the Heights. "Theatre is life and life is colorful!"
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Frank played Hambone in our 2019 production of August Wilson’s Two Trains Running.
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Nick describes the experience of creating his character, Christopher Boone, in The Curious Incident of the Dog in the Night-Time.
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Kara Harmon shares her insight as the costume designer for August Wilson’s Two Trains Running.
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We asked Jitney costume designer Tracy Dorman about creating the clothing for the cast of the production.
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Read thoughts from Andrea L. Shell, the Stage Manager for A Christmas Carol.
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Since 1960, our local staff has worked together with a national network of designers, directors and performers to craft shows for the stage.
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Here's a behind-the-scenes look at what it took to bring this plant to life for the co-production between Portland Center Stage and Cincinnati Playhouse in the Park.
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See how our craftsmen and artisans built the elements that brought this extravagant world to life on the Marx stage.
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Get a look at the process and experience of building the set of Be Here Now with Playhouse artisans and craftsmen.
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Get artistic insight into the highly detailed and realistic scenery that brought the world of Mr. Joy to the Shelterhouse stage.
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Playwright Deborah Zoe Laufer describes the roots of her warm-hearted comedy, which was commissioned by the Playhouse through the Jerome Fey Endowment as a world premiere.
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Katie Forgette gives us a closer look at Incident at Our Lady of Perpetual Help — a comedy about family, faith and saving face.
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Playwright Keith Josef Adkins provides insights into the relevance and personal connections to his new drama The West End — a world premiere and Playhouse commission.
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Hear from two Cincinnati-based artists, Candice Handy and Derek J. Snow, who were selected to premiere their works in The Breath Project Festival.
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Hear from Associate Artist Karen Zacarías about Destiny of Desire. She also penned The Book Club Play and the Playhouse world premiere of Native Gardens, which helped put Cincinnati on the map.
The Thanksgiving Play playwright provides her notes below on crafting this fresh, satirical comedy.
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The playwright of The Last Wide Open talks about writing lyrics and collaborating with composer/sound designer Matthew Nielson.
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The man who loved words is perhaps best illuminated by revisiting some of his own.
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Learn about the Universes — a multi-cultural, multi-disciplined collective of artists and poets — who devised the world premiere production of americUS, and have been devising work together for 24 years.
Among the more than 80 world premieres the Playhouse has produced are plays that have been commissioned. Meet our five currently commissioned playwrights and preview the stories we are prepping for the stage.
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Jocelyn Bioh’s acclaimed coming-of-age comedy School Girls; Or, The African Mean Girls Play takes a deep dive into Black culture. Director Candis C. Jones discusses the play and her artistic vision.
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Director Stephen Nachamie shares his take on Becoming Dr. Ruth and the indomitable woman at the center of the story.
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Steel Magnolias Director Laura Gordon shares her notes on this heartwarming Robert Harling classic.
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Read about the world premiere of Cincinnati King from the perspective of Director and Playwright KJ Sanchez, who has also directed Jane Eyre, Sex With Strangers, Sherlock Holmes and the Adventure of the Suicide Club, Seven Spots on the Sun and Venus in Fur at the Playhouse.
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Director Timothy Douglas talks about the significance of revisiting August Wilson's work in Two Trains Running. He also directed Jitney, Mothers and Sons, Buzzer, Safe House, The North Pool, Clybourne Park and The Trip to Bountiful at the Playhouse.
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A Playhouse Associate Artist, Wendy has directed Doubt, Durango, Leveling Up and Circle Mirror Transformation, as well as the recent production of The Lifespan of a Fact.
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Director Marcia Milgrom Dodge gives us a closer look at her work on Buddy: The Buddy Holly Story. You can also read about her work on The Curious Incident of the Dog in the Night-Time.
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Director and Choreographer Robert Barry Fleming, who is also the Artistic Director at Actors Theatre of Louisville, takes us behind the scenes of the epic musical Once on This Island.
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A Q&A with the director of Miss Bennet: Christmas at Pemberley by Lauren Gunderson. Eleanor was also at the helm of our 2016 world premiere of Lauren's play The Revolutionists.
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A Q&A with the director of The Thanksgiving Play by Larissa FastHorse. You can also read about her direction of our 2016 production
of Disgraced by Ayad Akhtar.
Portia, who directed Be Here Now, is a New York-based theatre director who mostly works on new plays and musicals.
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Playhouse Artistic Director Blake Robison shares his perspective on directing Margaret Atwood’s mind-bending thriller Alias Grace.
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When sound designer Matthew M. Neilson found out that he had permission to access folk singer and Hadestown creator Anaïs Mitchell’s entire catalog of songs for Mad River Rising, he was thrilled and a bit star struck.
Take a deeper dive into the acclaimed music and language of Lin-Manuel Miranda’s first smash hit. “It’s enormous fun to write in two languages," says Lin of the show, which combines rap, hip-hop, musical theatre, latin music, soul and R&B.
Sound Designer/Composer Matthew M. Nielson provided his notes in the early stages of rehearsal about composing The Last Wide Open's original music and working with playwright Audrey Cefaly, who wrote the lyrics.
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Marie and Rosetta tells the story of gospel singers Sister Rosetta Tharpe and Marie Knight. Learn how their collaboration reflects the evolution of African American gospel music, from its roots in spirituals to the rock and roll we know today.
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Here’s a look at the genres that Little Shop of Horrors uses to create a satirical, musical treat.
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Hear from Richard Livingston Huntley, the music director and drummer for the world premiere of Cincinnati King.
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Our spirits needed a lift! May the final chapter of A Christmas Carol — as read by our long-time Scrooge, Bruce Cromer — bring you some hope and joy today.
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We love a great story. To celebrate World Book Day, we're sharing a list of Kindle and audiobook editions of recent Playhouse shows.
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Discover tutorials, apps and news stories that celebrate the classical music stylings of 2 Pianos, 4 Hands!
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The Playhouse joined We Make Events North America by "going red" for the 12 million people out of work due to COVID-19. Read more about the project, and how you can help.
Site work for the Playhouse’s new Mainstage Theatre Complex is underway!
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Learn about the first phase of our building project and the historic gems we found during the remodel of our Rosenthal Shelterhouse Theatre.
Learn about the new works produced by the Playhouse over the years and the individuals who have helped make many of them a reality.
“It’s absolutely a delight to see a grandparent, a parent and a kid all enjoying the story in their own way. Like a really good Pixar film, these stories work on all levels,” says Artistic Director Blake Robison.
Nicole A. Watson and Karen Zacarías to join Wendy C. Goldberg as this season’s Associate Artists. Previous Associate Artists include Timothy Douglas, KJ Sanchez, Eric Ting and Michael Evan Haney.
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Director Blake Robison brought in Movement and Intimacy Coach Casey Sams to work on the play’s most physically demanding scenes — many of which involve intimate moments between characters.
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Heidelberg's steadfast and enthusiastic support has helped us bring world premieres and theatrical favorites to Cincinnati audiences, contributing to the unmatched variety the Playhouse offers year after year. Read
Managing Director Buzz Ward has had an unprecedented and incredible 29-year tenure leading Cincinnati Playhouse in the Park. As the longest serving executive in the Playhouse’s history, much of the theatre’s ongoing success can be credited to him — having managed it for nearly half its 61 years.
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We love a good love story. Read about three couples who came to Cincinnati to perform in Playhouse productions and left with life-changing relationships.
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We’re honored to be a part of these love stories, which all begin with an evening at the Playhouse. Read on for romance!
See how this magical holiday favorite played a meaningful role in the love stories of these wonderful couples!
Hear from couples whose date nights at the Playhouse have continued to set the scene for their romance.
Read about couples who got engaged right here at the Playhouse, and see how they each started a new chapter of their love stories!
“I do” may be the most romantic lines ever spoken on our stages! See how couples in the past have sealed their love with their wedding at the theatre.
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