Meet Laura Gordon, who returns to the Playhouse as Nurse in Shakespeare in Love, after having appeared in last season's A Prayer for Owen Meany. Learn why Laura became an actor, what she loves about performing and what she's enjoying most about Shakespeare in Love.
Naomi Jacobson returns to the Playhouse after performing in last season's A Prayer for Owen Meany. Learn more about how she became an actor, what roles have inspired her craft and how she's been enjoying her work on Shakespeare in Love.
Before he made his Playhouse debut, playwright Daniel Beaty had been making waves in the arts community. In 2005, he performed an original, spoken word poem titled “Knock Knock” on HBO’s Russell Simmons Presents Def Poetry. The poem, inspired his own upbringing, traces a son’s fractured relationship with his incarcerated father.
Actor John Plumpis makes his Playhouse debut this fall as Fennyman/Catling/Ensemble in Shakespeare in Love. Meet John and learn why he became an actor, what he loves about performing and what he's enjoying most about Shakespeare in Love.
It begins with a light, a sliver, a flash. Then comes a sound, a pulse, a beat, a crash — like a giant hammer smashing through the sky. This is the mythical story of Boom, the son of Thunder, who sets out to discover his true self in The Last Firefly.
Playhouse Artistic Director Blake Robison took a few minutes before heading into rehearsals for Shakespeare in Love to discuss the fun of journeying back in time to Elizabethan London and of exploring the magic of first love.
Written by Dayton-native playwright Daniel Beaty, Mr. Joy is a thoughtful drama that weaves together the personal narratives of nine different characters who unravel the mystery of Mr. Joy’s disappearance.
Throughout the course of his writing, William Shakespeare invented more than 1,700 words by either devising new ones or re-tooling existing words to fit his script. He also coined (or popularized) more than 100 phrases that we still use today.
Though he never meanders far from the spotlight, William Shakespeare is, as they say, having a moment. This summer, he made national headlines thanks to a production that proved once again how his play’s timeless themes can be reimagined in very timely ways. And, in even more boisterous fashion, the Bard debuted as a punk rock 20-something in cable television’s Will, a fictionalized account of the author’s early, largely undocumented, years in London.
In 1963, suburban housewives rushed out of their homes to purchase what would quickly become one of the most subversive books of the decade: "The Feminine Mystique," written by feminist author and activist Betty Friedan.
