Directed and Choreographed by MARCIA MILGROM DODGE
Winner of five Tony Awards, this Broadway smash hit puts you inside the brilliant mind of a boy who sees the world as most of us can only imagine. Fifteen-year-old Christopher is acutely sensitive and highly intelligent, but he has trouble adapting socially. When he’s unfairly accused of murdering his neighbor’s dog, Christopher puts his analytical skills to work to clear his name. His investigation leads him on a sometimes dangerous quest that unearths a second, more personal mystery. Based on the bestselling novel, The Curious Incident of the Dog in the Night-Time is a breathtaking theatrical experience that will fill you with hope.
"Dazzling, pulse-pounding and remarkable." - Time Out New York
ADVISORY: The Curious Incident of the Dog in the Night-Time is appropriate for adults and older teenage audiences. While this is a hopeful story about a young man’s personal quest, it contains strong adult language, mature themes and intense moments that reflect the psychological perspective of the protagonist.
RUNNING TIME: The Curious Incident of the Dog in the Night-Time runs approximately 2 hours and 25 minutes, including one intermission.
Promotional photo by Tony Arrasmith/Arrasmith & Associates.
Brooke Redler
Oct 6, 2017, 12:26 PM
Role :
(Stage Manager)
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Brooke is pleased to return for her third season with Cincinnati Playhouse in the Park. Her off-Broadway credits include Breathing Time, The Faire and From White Plains (production stage manager, Fault Line Theatre). Regional theatre credits include Shakespeare in Love and five seasons of A Christmas Carol (Cincinnati Playhouse in the Park), Hair: Retrospection, Stillwater, The Whipping Man, August: Osage County and Cabaret (production stage manager, Kansas City Repertory Theatre); Peter and the Starcatcher and Richard II (Utah Shakespeare Festival); Vanya and Sonia and Masha and Spike (Center Stage in Baltimore); and The Drowsy Chaperone, Is He Dead? and Harry the Great (Creede Repertory Theatre). Assistant stage management credits include Our Town, A Flea in Her Ear, Clay, Jitney and Love, Janis (Kansas City Repertory Theatre); and work at Starlight Theatre, Stages St. Louis and Heart of America Shakespeare Festival. Brooke also has worked in opera, with credits including Moscow, Cherry Town and Medea (PSM, Opera Long Beach) and Frida, Die Fledermaus and Tosca (ASM, Cincinnati Opera). She also spent two seasons at The Santa Fe Opera.
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